Film Reviews, Films

Review: Encanto

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The Madrigal family have been blessed with supernatural gifts for a few generations. Each family member goes through a coming of age ceremony where they’re granted their gift by the omniscient power which seems to reside in a candle and also grants their house magical powers. The family member’s powers range from heightened hearing, super strength, healing, and…. nothing. Our protagonist Mirabel is the unlucky one, the one member of the Madrigal family since the gifts started being granted to not receive a gift.

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Mirabel is a sweetheart, unfazed for the most part about her lack of a gift. In fact, the opening number of Encanto is Mirabel literally singing the praises of her family members and how incredible they and their gifts are. Whilst Mirabel doesn’t treat any of her family members any differently, the same cannot be said the other way and Mirabel is somewhat ostracised from the family as a result.

After her cousin Antonio’s birthday where he is granted his gift, Mirabel realises the house is losing it’s magic and the family members are losing their gifts. Along with her estranged uncle Bruno, Mirabel decides she’s going to fix things and get the magic back.

Mirabel’s grandmother (who I’ll call Abuela, as they do in the film) is easily the worst of all the Madrigal family. I get that she’s the matriarch and the plot of Encanto mostly stems from her being awful, but I just felt like there was nothing redeeming about her at all. She’s controlling, bossy and far too concerned with appearances. You don’t really see anything of her to make you warm to her or think that she might be a good person early on in the film, and so it’s hard to really care about her character. The focus is very much on Abuela’s negative personality traits, which is to the detriment of the plot.

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Encanto is really visually spectacular. It’s wonderfully colourful and seems very authentic to it’s Columbian setting (from an outside perspective anyway). I believe the majority of the cast are Latinx also (please correct me if I’m wrong!), which helps the film feel very authentic. I loved how all of the members of the Madrigal family had a family resemblance but their character designs were so unique to them, and the characters themselves are really fun and it’s really cool to see them using their gifts.

Whilst Encanto is really visually appealing, that’s pretty much where the positives end for me.

The pacing of the film was just terrible, frankly. Far too much time was focussed on setting up the Madrigal home, explaining the history of the family and the gifts of each family member, that by the time the movie got into the crux of the plot there was barely any time to resolve matters so the ending feels incredibly rushed. The plot had a lot of potential but then just flatlined leaving the ending feeling anticlimactic and like things were resolved too easily given the lead up.

I also felt that for all her shortcomings, Abuela’s redemption was really disappointing. She got a second chance she perhaps didn’t deserve, and this feeling is largely in part due to her not really having much positive characterisation. By the time Encanto wraps up, she was very much still a villain in my mind and didn’t do much to endear me to her.

The songs are also largely forgettable, in my opinion. After I finished Encanto, I have thought approximately 0 times about any of the songs. I’m not sure I would even recognise one if I heard it. I know one is called ‘We Don’t Talk About Bruno’ but when I think about it, I just get the tune of ‘Where You Are’ from Moana (understandably that’s more of a me problem than any actual similarities between the songs). Judging from the reaction of the internet, I’m definitely in a minority here, but for me this was one of Disney’s weakest soundtracks in a long time.

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I did like Encanto, there is a lot to like about it but it did leave me feeling quite underwhelmed and frankly, given the hype I have seen about it on social media, a bit confused! What am I missing? Encanto is one of Disney’s weaker films and not one I’d rush to rewatch any time soon.

6 stars

 

30 Days Of, 30 Days Of: Film

30 Days Of: Film, Day 11

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Day 11: Your favourite movie as a child

I’ve mentioned previously a love of Jurassic Park and Oliver! as a child, and really I think that those two films are synonymous of my childhood, and certainly the ones I associate with being a child the most.

Like most children, I also loved Disney movies, but I never liked the princess ones much and instead leaned more towards the action type films. My two favourites as a child were The Sword in the Stone and Robin Hood, which I have really fond memories of. One time I can remember really vividly is refusing to leave the house for a birthday party because The Sword in the Stone was on, and then hiding under the dining table crying when the ‘squirrel bit’ happened.

Film Reviews, Films

Review: Monsters University

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Glastonbury festival is universally known for having something for everyone. As a film lover, I’m always interested in what’s on offer at the Glastonbury cinema, the Pilton Palais. Unfortunately, as most of it clashes with the musical acts, I don’t see many films there; in fact, of the two times I’ve been to Glastonbury, I’ve only seen two films at the Palais, both Pixar offerings.

Historically, Glastonbury has a way of obtaining the rights to early previews of Pixar films. In 2008 they showed Wall-E, and back in 2010, when I went, the Palais hosted a preview screening of Toy Story 3, six months before the film was due for general release. This year it was the turn of Monsters University, Pixar’s first prequel.

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Previous experience with the Toy Story 3 screening had taught me that these previews tend to garner a huge crowd. Not wanting to miss out, we turned up over an hour early for the showing and waited it out in the queue with the daily paper. Sitting in the queue and subsequently the tent, you really soak up the atmosphere; lots of excited children, and plenty more excited adults.

The film got off to a bad start with some technical difficulties (which also occurred later on too), but where a cinema audience might have complained, the festival viewers remained in high spirits with the children keeping themselves entertained making monster noises.

Once the film finally got underway (and later technical difficulties aside), it was much more than I hoped it would be. What could easily have strayed into an unnecessary Cars 2-esque sequel, was actually a charming new exploration of much-loved characters a la Toy Story.

Monsters University creates a real shift into the perception of characters. I’ve never been much of a Mike fan, seeing his character in Monsters, Inc. as a bossy control freak, who frankly, was a bit of a jerk. Monsters University really changed my opinion of Mike, and also Sully who goes from a loveable giant, to the atypical college burnout, who constantly butts heads with Mike.

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As the film and plot unravel, it is interesting to see the dynamic between Mike and Sully change, as the two go from rivals to develop the basis of the true friendship we all know from Monsters, Inc. The viewer is left with a deeper understanding of what drives the characters in the first film, including Randall, though he does not feature heavily in Monsters University.

The film is a great addition to the Pixar catalogue, and got me a lot more interested in the Monsters, Inc. world than I was before. The film is funny in all the right places, and as tense in parts as animated films get. Any reservations I had about the film were quickly dissipated as the film went on, and I have been telling anyone who will listen just how good the film is.