Film Reviews, Films

Review: Encanto

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The Madrigal family have been blessed with supernatural gifts for a few generations. Each family member goes through a coming of age ceremony where they’re granted their gift by the omniscient power which seems to reside in a candle and also grants their house magical powers. The family member’s powers range from heightened hearing, super strength, healing, and…. nothing. Our protagonist Mirabel is the unlucky one, the one member of the Madrigal family since the gifts started being granted to not receive a gift.

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Mirabel is a sweetheart, unfazed for the most part about her lack of a gift. In fact, the opening number of Encanto is Mirabel literally singing the praises of her family members and how incredible they and their gifts are. Whilst Mirabel doesn’t treat any of her family members any differently, the same cannot be said the other way and Mirabel is somewhat ostracised from the family as a result.

After her cousin Antonio’s birthday where he is granted his gift, Mirabel realises the house is losing it’s magic and the family members are losing their gifts. Along with her estranged uncle Bruno, Mirabel decides she’s going to fix things and get the magic back.

Mirabel’s grandmother (who I’ll call Abuela, as they do in the film) is easily the worst of all the Madrigal family. I get that she’s the matriarch and the plot of Encanto mostly stems from her being awful, but I just felt like there was nothing redeeming about her at all. She’s controlling, bossy and far too concerned with appearances. You don’t really see anything of her to make you warm to her or think that she might be a good person early on in the film, and so it’s hard to really care about her character. The focus is very much on Abuela’s negative personality traits, which is to the detriment of the plot.

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Encanto is really visually spectacular. It’s wonderfully colourful and seems very authentic to it’s Columbian setting (from an outside perspective anyway). I believe the majority of the cast are Latinx also (please correct me if I’m wrong!), which helps the film feel very authentic. I loved how all of the members of the Madrigal family had a family resemblance but their character designs were so unique to them, and the characters themselves are really fun and it’s really cool to see them using their gifts.

Whilst Encanto is really visually appealing, that’s pretty much where the positives end for me.

The pacing of the film was just terrible, frankly. Far too much time was focussed on setting up the Madrigal home, explaining the history of the family and the gifts of each family member, that by the time the movie got into the crux of the plot there was barely any time to resolve matters so the ending feels incredibly rushed. The plot had a lot of potential but then just flatlined leaving the ending feeling anticlimactic and like things were resolved too easily given the lead up.

I also felt that for all her shortcomings, Abuela’s redemption was really disappointing. She got a second chance she perhaps didn’t deserve, and this feeling is largely in part due to her not really having much positive characterisation. By the time Encanto wraps up, she was very much still a villain in my mind and didn’t do much to endear me to her.

The songs are also largely forgettable, in my opinion. After I finished Encanto, I have thought approximately 0 times about any of the songs. I’m not sure I would even recognise one if I heard it. I know one is called ‘We Don’t Talk About Bruno’ but when I think about it, I just get the tune of ‘Where You Are’ from Moana (understandably that’s more of a me problem than any actual similarities between the songs). Judging from the reaction of the internet, I’m definitely in a minority here, but for me this was one of Disney’s weakest soundtracks in a long time.

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I did like Encanto, there is a lot to like about it but it did leave me feeling quite underwhelmed and frankly, given the hype I have seen about it on social media, a bit confused! What am I missing? Encanto is one of Disney’s weaker films and not one I’d rush to rewatch any time soon.

6 stars

 

Film Reviews

Review: Tokyo Ghoul

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Tokyo Ghoul is one of my favourite anime, so when I saw that a cinema near me was doing a screening of the release of the live action film, I jumped at the chance to get tickets.

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In all, I really enjoyed the movie. It’s not perfect by a long stretch, but it’s a really good adaptation of the anime and manga, and stuck faithfully to its predecessors. There weren’t really any moments I could nail down where I could comfortably say “It didn’t happen like that in the anime/manga”, and trust me, I’m always the first one to point out that sort of thing.

Tokyo Ghoul is let down by some of it’s not-so-special effects. So much of the plot is reliant on CGI, so it’s really disappointing that the CGI was so subpar. It really took me out of it seeing the ghouls fighting using their kagunes which were just laughably bad. Really, I think this is the only negative I can say about the whole experience.

The movie does showcase some really stellar acting. Masataka Kubota in particular was especially convincing as Ken Kaneki, managing to show off his inner turmoil at becoming a ghoul. There are some really great moments later on in the movie where Ken is being overtaken by his ghoul side where you can really feel how the experience is affecting him and how troubled his mind is.

7 stars

Film Reviews

Review: Downsizing

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Downsizing is a peculiar one. I think it’s really hard to make a ‘serious film’ where the key concept of the movie is that people are shrinking themselves. I don’t know if that’s because I was a child in a time where Honey, I Shrunk The Kids and its various spin-offs were a big thing, but to me the idea of a person shrinking is just funny.

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The thing with Downsizing, though it does have its funny moments, is it’s not really a comedy. The concept of ‘downsizing’ is so that a person takes up less space on the planet and has less of an effect on the environment, so the movie is a pretty serious one with a focus on environmentalism and the selfishness of humanity.

Downsizing doesn’t really deliver its message with much impact. Yes, we all know that the Earth is struggling to cope with the volume of people who inhabit it, as well as the way they treat it. Past this it doesn’t really offer much more exploration into things. There’s no focus on how things change once the project begins, how things are developing or whether the project met its aims. Things just happen, and we’re expected to accept that.

Downsizing touches on a lot of points that would have been really interesting to explore; the import/export business in the miniature world, the wealth divide in Leisure Land, politics between the ‘normies’ and the downsizers to name a few examples, but it doesn’t expand on any of them. It’s disappointing, but throughout the movie Downsizing has a habit of introducing an interesting topic and just leaving it, undeveloped.

The protagonist, Paul (Matt Damon) doesn’t really develop much, and the same can be said for most of the characters. Everyone ends the movie as they started, there’s no journey, no development, nothing to keep you engaged and the movie feels every second of its 2hr15 runtime.